Face Everything sees what Nell refer to as her “extended family of characters and spirits” come to inhabit the house-museum.

Christopher Kulendran Thomas’ Safe Zone interrogates how, across time, these stories have been spun by specific actors and interests and circulated at scale.

With a title that means ‘those who come after’, the exhibition embodies Pumani’s responsibility to both honour and repatriate her intimate knowledge of Country.

The works across Restless Legs emerge as tender riddles, leaning toward fragmentation over clear registration, making slippery the friction between the immediacy of the image and the pull of words.

At the heart of Stevens’ work is the belief in storytelling as an act of survival: of archives, oral histories, sacred traditions and local ecosystems.

There is a rhythmic tap, tap, tap emanating from Julie Blyfield’s studio in Maylands, Tarntanya (Adelaide) that sounds in concert with the birds of the surrounding garden. It is in this space and its orbit that the artist undertakes a daily vigil: being with, caring for and then recreating nature in her own vision. A …

A classical ballet dancer of 10 years, an avid journaler from a young age and always obsessive documenter, Mountford is attuned to the way architectural considerations direct bodies through a space.

The works of Inneke Taal interweave moving image, sound and the poetic line to consider subtle embodied experiences and spatial relationships.

Class of 2023 Samstag Scholarship Lauren Burrow investigates the histories of materials and narratives of resistance.

“I always have profound doubts about making art. I wish I didn’t, and I envy friends that don’t.”